Lost in the Funhouse is a collection of loosely connected short stories that was originally published by John Barth in 1968. These postmodern stories examine the art of fiction writing, among other things, and seem to undermine the conventional and predictable nature of fiction. In the fourteen stories, Barth presents a literary "funhouse," a dense maze that weaves in and out o...(展开全部)

Lost in the Funhouse is a collection of loosely connected short stories that was originally published by John Barth in 1968. These postmodern stories examine the art of fiction writing, among other things, and seem to undermine the conventional and predictable nature of fiction. In the fourteen stories, Barth presents a literary "funhouse," a dense maze that weaves in and out o...(展开全部)

Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction. Though many of the stories gathered here were published separately, there are several themes common to them all, giving them new meaning in the context of this collection.

凯特•莫顿（Kate Morton） 澳大利亚作家。生于1976年，成长于昆士兰东南区的群山中。小时候的她经常躲起来读书，并相信阅读的快感犹如偷尝禁果。长大后，她专修戏剧艺术与英国文学，钟情于19世纪的悲剧文学和当代哥特小说。 2007年，她因《雾中回忆》一举成名，轰动 全球。作品版权售出39个国家和地区，并被翻译成33种语言；单在英国，出版第一周，每天售出一万册。如今，她已四度获得代表澳洲书业最高荣誉的“年度最佳图书”大奖，是澳洲最大的版权输出端，也是版税收入最高的新一代作家。2013年，她以最高票数成为“澳大利亚最受欢迎的作家”。 近年，她与她的作曲家丈夫以及三个小孩生活在布里斯班。 如想了解更多信息，可访问她的官网： http://www.katemorton.com

法国推理文坛的异数，是当前欧美唯一传承了约翰·狄克森·卡尔、安东尼、伯克莱等古典大师衣钵的作家。其作品皆是以不可能犯罪为主的正统推理小说，充斥着密室、不在场证明、凶器消失等令人兴奋的诡计。阴冷的哥特城堡、古老的神话传说的确让人兴奋，但若没有对古典推理小说那份执著的信念，这一切都是浮云！古典推理在后黄金时代得以延续，一方面固因读者们的忠心耿耿，另一方面更因有保罗·霍尔特这样坚持不懈的旗手，年复一年地对抗寂寞。

凯特•莫顿（Kate Morton） 澳大利亚作家。生于1976年，成长于昆士兰东南区的群山中。小时候的她经常躲起来读书，并相信阅读的快感犹如偷尝禁果。长大后，她专修戏剧艺术与英国文学，钟情于19世纪的悲剧文学和当代哥特小说。 2007年，她因《雾中回忆》一举成名，轰动 全球。作品版权售出39个国家和地区，并被翻译成33种语言；单在英国，出版第一周，每天售出一万册。如今，她已四度获得代表澳洲书业最高荣誉的“年度最佳图书”大奖，是澳洲最大的版权输出端，也是版税收入最高的新一代作家。2013年，她以最高票数成为“澳大利亚最受欢迎的作家”。 近年，她与她的作曲家丈夫以及三个小孩生活在布里斯班。 如想了解更多信息，可访问她的官网： http://www.katemorton.com

The history of art from the early nineteenth century onward is commonly viewed as a succession of conflicts between innovatory and established styles that culminated in the formalism and aesthetic autonomy of high modernism. In "Art and Crisis", first published in 1948, Hans Sedlmayr argues that the aesthetic disjunctures of modern art signify more than matters of style and poi...(展开全部)

简介：十杯柠檬茶，杯杯都是时洛自愿的

在线阅读本书 In this rich and riveting narrative, a writer's search for the truth behind his family's tragic past in World War II becomes a remarkably original epic—part memoir, part reportage, part mystery, and part scholarly detective work—that brilliantly explores the nature of time and memory, family and history.

'A gripping detective story, a stirring epic, a tale of ghosts and dark marvels, a thrilling display of scholarship, a meditation on the unfathomable mystery of good and evil, "The Lost" is as complex and rich with meaning and story as the past it seeks to illuminate. A beautiful book, beautifully written.' Michael Chabon 'The Lost' is the story of an odyssey in search of six ...(展开全部)